Broekhuis, Keller & Schönwälder - "Blue"

In stock

SynGate Dist. MRCD 7090
released 2009

  1. Blue One     23:27
  2. Blue Two     27:18
  3. Blue & Red     22:57

Total Time: 73:44

 

This release from 2009 features 74 minutes of highly majestic electronic music.Bas Broekhuis, Detlef Keller, and Mario Schönwälder have once again joined forces to present a tasty selection of electronic music recorded live during concerts scattered throughout 2007 and 2008.On this release there are three long tracks, respectively 23, 27, and 23 minutes in length.

The first track begins with twinkling pulsations with ponderous tones lurking in the mix and delicate heavenly quasi-violin chords surfacing from the glittering pastiche. Engaging bongo rhythms emerge in tandem with synthetic cello strains, the latter devolving into violin embellishments. Fluid tones seep forth and coalesce into a tapestry of undulant threads. Sampled flutes lend a fanciful touch to the majestic music. Those bongo rhythms are still going, establishing a churning propulsion for the overall flow. The melody engages in several subtle variations during its progression, ultimately settling down for a burbling finale...that actually cascades into the next song.

The second piece employs chugging locomotive beats as an intro element while orchestral strings are sustained in a holding pattern of rather intense scope. Liquid sounds emerge, summoning forth whistling keyboards and breezy tonalities to commandeer the tune. Things slide into a congenial passage of sashaying harmonics underscored by tempos comprising refined locomotive beats. Keyboard riffs (among them strident piano keys) commence to capture the flow and goad the tuneage into a pulsating vitality. By this point, the rhythms have cast off simulated railroad aspirations and settle down into more conventional drum beats to add velocity to the music. As the tune progresses, the beats become more erratic (but bewitchingly so) and the piano is allowed to convey a certain grandeur amid the other floating keyboard cycles. The pace and density dwindle for a flutish conclusion...which invariably leads into the last track.

Here, things start off with sparse atmospherics and remote metallic impacts that tastily reverberate. Fragile keyboard chords drift into being, while hints of cacophony wax and wane, eventually coalescing into an alluring cohesion of celestial riffs and snappy tempos that dominate the track for a while, exploring variations as things build to a momentous euphoria. The electronics flourish with stately elegance. The rhythms slide into a sinuous stature with intricately interwoven tempos. Sidereal effects contribute lovely diversions and gradually are sucked into the mix to become full-fledged riffs of their own. Things settle down for a passive ending with sighing keyboards and fading tempos.

While a slow-building structure is still keynote in these compositions, the difference here would be that instead of starting with languid intros, gutsier passages are reached swifter and coaxed to escalate to wondrous complexity.

Matt Howarth, www.soniccuriosity.com